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BIOSPHERE SOUNDSCAPES
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SONIC EXPLORATIONS IN
​UNESCO BIOSPHERE RESERVES

2018 ECOACOUSTICS CONGRESS

6/11/2018

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June 24-28, Brisbane, Queensland, Australia

Organised by the International Society of Ecoacoustics (ISE) and endorsed by the World Forum for Acoustic Ecology (WFAE) – the aim of the 2018 International Ecoacoustics Congress is to bring together artists, scientists, natural resource managers and industry to explore the ways that sound can deepen our understanding of the environment.

The program includes six keynotes, scientific presentations and workshops, creative talks, concerts, installations, listening rooms and field trips which include Noosa Biosphere Reserve, the location where Biosphere Soundscapes was founded. View the program online: https://ecoacousticscongress.org

The keynotes include acclaimed ecoacoustics researcher, composer and interdisciplinary artist David Monacchi. Monacchi has been developing the project Fragments of Extinction for 15 years, conducting field research in the world’s remaining areas of undisturbed primary equatorial forest. The recipient of multiple awards throughout Europe and North America, Monacchi is pioneering a new compositional and science dissemination approach based on 3D soundscape recordings of ecosystems to foster discourse on the biodiversity crisis through science-based sound art. He has worked for 25 years in cross-disciplinary contexts and produced works for contemporary music, art installation, cinema, video-art, site-specific public art, natural history, science and contemporary art museums, and is founding member of several artistic and scientific networks. 
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Biosphere Soundscapes is an interdisciplinary research project working in collaboration with multiple organisations and institutions across the USA, South America, Australia, Europe, India, Indonesia and Cambodia. The project was endorsed by the UNESCO MAB Program in 2013 and is currently based at the University of the Sunshine Coast in Queensland, Australia. 
We acknowledge the Traditional Custodians of the land on which we are conducting this research and pay our respect to the Elders, past, present, and emerging and extend that respect to all Aboriginal and Torres Strait Islander people. 
(C) BIOSPHERE SOUNDSCAPES 2024
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